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The house under the roller coaster in Woody Allen’s “Annie Hall” was the real life home for 40 years of Mae Timpano, who shares vivid memories of good times and sad in this 2005 documentary by Lila Place. “If the wind was blowing towards the house, I heard everything going on in Coney Island,” says Timpano in the film. For most of those years under the Thunderbolt, her companion was Freddy Moran, who owned and operated the famed coaster built by his father over the Kensington Hotel in 1925. She recalls the two of them going for swims to the end of Steeplechase Pier at 2AM after she got off work as a waitress.

“Mae’s story is a window onto a lost world and makes us think about the importance of place in a new way,” says the film-maker. In addition to Timpano’s candid reminiscences, the 16-minute documentary includes interviews with family, friends and historians as well as old news clips. Moran tells a TV reporter asking about changes in Coney Island: “Roller coasters are a very, very stable element of the amusement business and I don’t see any way they’re going to be replaced by anything else and give the same feeling.” But after Moran died in 1982, the coaster closed and would never reopen.

Timpano was a spirited survivor who lived alone in the house for several more years. “I got used to the quietness,” she says, just as she had gotten used to the clatter of the roller coaster passing overhead and finding wigs and dentures lost by riders in her backyard. Horace Bullard, who bought the Thunderbolt and other properties with the dream of rebuilding Steeplechase Park, once said of Timpano: “She’s Miss Coney Island. When you get close to her, you get sort of the feeling of what Coney Island used to be like.”

Timpano, who died five years ago, outlived the coaster and her former home, which were controversially and illegally demolished in 2000 on the orders of Mayor Giuliani.

“Under the Roller Coaster” won a number of awards including Best Made in Coney Island Film at the Coney Island Film Festival (2005) and Grand Jury Prize for Best Documentary Short at Slamdance (2006).

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NY State Pavilion

Ruins of the New York State Pavilion from the 1964 New York World’s Fair, Flushing Meadows Park, Queens. Photo by Matthew Silva via Kickstarter

You cannot think of Coney Island without the Parachute Jump, especially now that it is illuminated nightly. Last night, it was bathed in sea green and blue light to celebrate the Seattle Seahawks Super Bowl win. But the iconic tower, which was moved to Coney after first thrilling visitors at the 1939-1940 New York World’s Fair in Queens, stopped operating as a ride after Steeplechase Park closed in 1964. The Jump endured nearly 40 years of neglect and threats of demolition before being rehabbed and lit with LEDs at a cost of $8.5 million during the Bloomberg administration.

Beginning in 2002, the City’s Economic Development Corporation (NYCEDC) and Brooklyn Borough President Marty Markowitz championed the landmark’s costly revamp as part of their plan to revitalize Coney Island. Will the ruins of the New York State Pavilion, an iconic structure from the 1964 New York World’s Fair in Queens’ Flushing Meadows Park, which the Parks Department says would cost $14 million to demolish and $52 million to restore, find a plan and a champion to underwrite the cost of saving it?

“World’s Fair buildings are not designed to be permanent. They’re meant to be taken down again,” says a voice at the beginning of the trailer for Matthew Silva’s documentary Modern Ruin about the Pavilion. “Somehow there’s always something nobody wants to tear down, and in this case the New York State Pavilion was one.”

The voice is that of Frank Sanchis, director of the World Monuments Fund, which included architect Philip Johnson’s pavilion on their 2008 Watch List. The Tent of Tomorrow is in imminent danger of collapse due to the deterioration of the exposed steel structure and the decay of the wood piles that serve as the building’s foundation, according to WMF, which successfully nominated the Pavilion for inclusion in the State Register of Historic Places in 2009.

NY State Pavilion

The interior of the New York State Pavilion, designed by Philip Johnson, at the 1964 World’s Fair in New York City. Photo: © Ezra Stoller/Esto/Yossi Milo Gallery

Now as the building approaches its 50th anniversary, it’s in the spotlight again after years of neglect. People for the Pavilion, a grassroots group dedicated to the preservation and reuse of the structure, hosted a kickoff event last month which drew over 200 people. Silva, who is one of the organization’s co-founders, launched a Kickstarter for his documentary about the pavilion, and raised more than $11,000 towards his goal of $30,000 in the first week. The Parks Department held two “listening sessions,” where people were invited to share their vision for the future of the Pavilion after listening to a presentation on recent structural studies that were completed on the Tent of Tomorrow and Towers.

“The reasons for its neglect are open to interpretation and kind of complicated,” said Silva, in an interview with ATZ. “But one could argue that it simply came down to money, poor post-fair planning, and the fact that the City almost went into default in the ’70s. When the city was in such bad financial shape, how could anyone justify pumping money into an old building from the World’s Fair? But here we are 50 years later and maybe now we can make the case for its rehabilitation and reuse.”

UPDATE February 4, 2014:

The Parks Department has posted links to their PowerPoint presentation, which was shown at the listening sessions, and a survey “in order to understand your vision for the future of the New York State Pavilion.” The survey will be posted on the webpage of Flushing Meadows Corona Park through March 15.

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January 18, 2012: Video of the Day: Climbing Coney Island’s Parachute Jump

December 14, 2011: Another Go Round for RFP to Run Carousels in Flushing Meadows & Forest Parks

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Restaurants with amusement rides in the U.S. tend to be of the Chuck E. Cheese variety, but deep in a forest in Treviso, Italy, the Osteria Ai Pioppi offers a magical playground of handmade, human-powered amusement rides. The documentary “Ai Pioppi” released last week on Vimeo, where it was a staff pick, features a tantalizing peek at the park and an interview with Ai Pioppi’s creator.

AI PIOPPI

Homemade Slide at Ai Pioppi, Treviso, Italy. Photo via aipioppi.com

“The first big ride I made was that iron slide and that was forty years ago,” says Bruno, who built the rides in his workshop after learning how to weld. “At that time it was big news. There were not many strange rides like that.”

Ai Pioppi

Homemade Roller Coaster at Ai Pioppi, Treviso, Italy. Photo via aipioppi.com

Ai Pioppi’s swings, gyroscopes and roller coasters call to mind the hand-cranked carousels of the earliest days of amusement ride history and the Swingin’ Gym carnival ride of the 1960s. The source of Bruno’s inspiration? “A branch falls, a leaf floats down, a stone rolls. And I say to myself. Maybe I can use this movement. That’s how my ideas are born.”

Beautifully photographed by Coleman Guyon and written by Luiz Romero, the documentary was produced by a team from Treviso-based Fabrica, a communications research center, studio and school.

Ai Pioppi

Homemade Gyro Gym at Ai Pioppi, Treviso, Italy. Photo via aipioppi.com

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