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Posts Tagged ‘entertainment’

Big Apple Circus Legendarium

Big Apple Circus Legendarium. December 15, 2012. Photo © Tricia Vita

Going to the Big Apple Circus in Lincoln Center has been a New York holiday tradition since the 1980s. We especially like to go on New Year’s Eve when the show ends with a champagne toast and dancing in the ring, but this year we caught the show early. At last Saturday’s performance of Legendarium, scenery in the style of an antique handbill set the mood for a journey back in time even before the show started: “Presenting the unprecedented attractions of THE FIRST BIG TOP and exhibiting celebrated American jesters and natural born fools The AcroBuffos…”

Jenny Vidbel and her Liberty Horses

Jenny Vidbel and her Liberty Horses. Big Apple Circus Legendarium. December 15, 2012. Photo © Tricia Vita

Acrobats, trapeze artists, jugglers, a contortionist, an equilibrist, Liberty horses and former shelter dogs are also on the bill. The jovial ringmaster John Kennedy Kane shares entertaining anecdotes about circus history relating to the Brooklyn Bridge and Broadway. We learn that the first-ever circus ring measured 42 feet in diameter, which is the size needed for a horse to reach a full gallop, and that is precisely the size of the Big Apple’s ring.

Jenny Vidbel's Ponies

Jenny Vidbel’s Ponies. Big Apple Circus Legendarium. December 15, 2012. Photo © Tricia Vita

Over the years, Katja Schumann’s Liberty horses and Barry Lubin aka Grandma the Clown have been among our favorite performers. Lubin retired after last year’s show and we miss him. The highlight of the show was Jenny Vidbel’s Liberty horse act featuring Arabian horses and ponies. When the ponies trotted out, the audience let out a collective gasp of delight. Other standout acts were slack wire maestro Zhang Fan, Daniel Cyr and his mesmerizing Cyr Wheel, the Dalian Bicycle Troupe, Desire of Flight aerialists Malvina and Valeriy, and Emily and Menno van Dyke, who passionately dance the tango at the same time that they juggle.

The Big Apple Circus, Lincoln Center, New York City, through January 13, 2013; Alpharetta, GA, February 1-18; Bridgewater, NJ, February 18-March 17; Boston, MA, March 26- May 12.

Zhang Fan and Jenny Vidbel

Zhang Fan and Jenny Vidbel. Big Apple Circus Legendarium. December 15, 2012. Photo © Tricia Vita

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December 8, 2012: Sunday Matinee: Princess Rajah’s Chair Dance (1904)

March 7, 2012: ATZ Review: Love Never Dies in a Phantasmal Coney Island

July 13, 2011: Circus Portraits: Photography by Kevin C Downs

August 31, 2010: Snapshots of the Coney Island Illuscination

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Sword Swallower Banner attributed to Nieman Eisman. Slotin Folk Art Auction, April 21, 2012

A rare and unusual “Champion Sword Swallower” banner attributed to Nieman Eisman, a master of the Chicago style of banner painting from the 1920s through the mid-1950s, is up for auction this weekend at Slotin Folk Art. The circa 1930s-1940s banner conveys the danger of this sideshow act by depicting the performer downing multiple swords from his arsenal as well as a glowing neon tube. While sword swallowing is an ancient art, electricity is a potent symbol of the modern age. As soon as the neon tube was invented in 1936, neon-tube swallowing became a sideshow craze. When the stage is darkened, the eerie glow of the neon illuminates the performer’s neck and chest, making it convincingly clear that the sword swallower is not up to any tricks.

When ATZ saw Johnny Meah perform this dramatic feat at the Barnum Museum a dozen years ago we were stunned. Fifteen years earlier in a carnival sideshow, a neon tube exploded inside him. When someone tried to wrench it out of his throat, shards of glass cut his windpipe. Blood gushed from his mouth onto the stage. Despite the physical hazards of the profession and the potentially fatal effects of neon, the art of sword swallowing is “not totally physical. In fact, very little of it is physical,” Meah told ATZ. Among the Kings and Queens of Swords whose bravura performances with neon we’re fortunate to have seen are Natasha Veruschka (“The World’s Only Sword Swallowing Belly Dancer”), Johnny Fox, Keith Nelson of the Bindlestiff Family Circus and The Great Fredini of Coney Island USA.

Neon sword

Swallowing a Neon Sword, Detail of Sword Swallower Banner attributed to Nieman Eisman. Slotin Folk Art Auction, April 21, 2012

Although this banner was not painted for a specific performer, it reminds us of the story of Prince Neon– William Knoll — who claimed to be the world’s first neon-tube swallower. He was also presumably among the first to be injured when, in July of 1936, a two-foot-long neon tube broke inside him just before the electricity was turned on. SWORD SWALLOWER DOES IT TOO WELL, SURGEONS TAKE FOOT OF GLASS TUBING FROM STOMACH was the headline of an item that flashed across the wire. Later on, Knoll “put himself out of business” with neon as we say on the midway. “A Daring Exhibition” indeed.

vintage sideshow banner

Detail of Sword Swallower Banner attributed to Nieman Eisman. Slotin Folk Art Auction, Aptil 21, 2012

According to the auction catalog, the banner was rescued from oblivion by the consignor in the 1970s and later attributed to Nieman Eisman by sword swallower and banner painter Johnny Meah and banner dealer Teddy Varndell:

In late 2003, the consignor contacted banner artist, as well as technical adviser on the HBO series “Carnivale,” Johnny Meah by email, and it was his opinion that Nieman Eisman was the artist of my banner. He later forwarded the materials to Edward “Teddy” Varndell, banner dealer and co-author of Freaks, Geeks and Strange Girls: Sideshow Banners of the Great American Midway. Mr. Varndell also believed my banner to be by Eisman.

In the early 1970’s the consignor worked at a TV station in production. In the prop room behind the studio, he found this “carny” banner, back-side up, covering a pile of stacked lumber. With the station manager’s OK, he replaced it with another tarp and he has had the banner since then. During early days at the TV station, traveling carnivals or circuses would bring performers, props and animals to the TV studio for promotions (back when productions were “live”). This banner was apparently left behind during one of these shows. Johnny Meah said circus banners in the ’50s and ’60s were considered so disposable they were often used under circus trucks to sop up oil leaks.

The pre-sale estimate is $3,000 – $4,000. This weekend’s folk art auction consists of 1,500 lots, with the sideshow banner set to be auctioned on Saturday. Slotin Folk Art’s live auction will be held at Historic Buford Hall in Buford, Georgia on April 21 and 22. Absentee, phone and online bidding are also available on auction days.

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April 10, 2012: Up for Auction: Collection of Carnival Knockdown Dolls

February 25, 2012: Video: Happy International Sword Swallowers Day!

May 8, 2011: Up for Auction: Sideshow Banners by Johnny Meah

November 16, 2009: Rare & Vintage: Coney Island Sideshow Banner by Dan Casola

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If you’re one of those skeptics who thinks a sword swallower’s sword folds up into the handle or employs some kind of special effect, February 25th’s big swallow should set you straight.

Today, in celebration of the 6th annual World Sword Swallowers Day, more than 30 performers are expected to “drop swords” at Ripley’s Believe It or Not! Odditoriums in New York, London, San Francisco, Hollywood, and Orlando, among other places. Los Angeles sword swallower Brett Loudermilk made these videos three years ago on International Sword Swallowers Day in New York City. One of 10 featured sword swallowers at Ripley’s in Times Square in 2009, this year Loudermilk will be at Ripley’s Hollywood.

In New York, today’s free show at Ripley’s begins at 1:30 pm and ends with the big swallow at 2:25 pm. Keith Nelson of the Bindlestiff Family Cirkus and the Lady Aye will be among the Kings and Queens of Swords.

“A lot of it is just showmanship. You really have to get the audience with you feeling that it’s real, and then kind of hold them at that edge,” Nelson tells ATZ. In an attempt to convince skeptics in the audience that, as he says, “what I’m shoving down my throat is real,” the Bindlestiff’s charmingly subversive Mr. Pennygaff has also swallowed oversize scissors, sabers, corkscrews, door springs, coat hangers and, in a tribute to good ol’ vaudeville, a rod upon which he has set a spinning plate!

The February 25th celebration was started by the Sword Swallowers Association International to promote this ancient art, honor veteran performers, and raise awareness of the medical contributions sword swallowers have made in the fields of medicine and science, according to SSAI founder and multiple Guinness World Record holder Dan Meyer.

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Related posts on ATZ…

February 4, 2013: Rare & Vintage: Girl to Gorilla Sideshow Banner

August 6, 2012: Art of the Day: Madame Twisto by Marie Roberts

April 18, 2012: Rare & Vintage: A Neon Sword Swallower’s Sideshow Banner

November 4, 2011: Up for Auction: Ringling Bros Circus Side Show Poster

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A Trip to Coney Island with Uncle Zero Boy. Photo © Scott A Ettin/www.tankboy.com

A Trip to Coney Island with Uncle Zero Boy. Photo © Scott A Ettin/www.tankboy.com

If you missed Zero Boy‘s electrifying one-man show at Coney Island USA in October, we highly recommend that you get yourself over to the Gershwin Hotel tonight at 8 pm to see and hear “A Trip to Coney Island with Uncle Zero Boy.” The audience is the nephew.

“I do a comic romp through the past, present, and future of Coney Island,” the virtuoso “vocal acrobat” told ATZ in a Q & A with Uncle Zero Boy last month. “It’s sort of like a cartoon of certain big historical elements starting with the beginning of Coney Island all the way up to the 80s, 90s, to now. It is a Zero Boy style show in that it’s like Bugs Bunny going through history.”

Read the full Q & A and watch a video clip of the show here.

Neke Carson and Michael Wiener Present “Live from the Gershwin”: “A Trip to Coney Island with Uncle Zero Boy” 8 pm, cover $10. Gershwin Hotel, 7 E 27th St, New York, 212 545-8000

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Here’s a trip you won’t want to miss! On Friday, October 16, Coney Island USA’s Burlesque at the Beach presents “A Trip to Coney Island with Uncle Zero Boy” by East Village performance artist and virtuoso “vocal acrobat” Zero Boy. As a longtime fan, we’re confident Zero Boy is the man to make the glorious hurly burly of Coney’s history come alive onstage.

“The audience is the nephew,” says the ad for the show. “Visit Dreamland, Luna and Steeplechase Parks! Ride the Colossus! Soar on the Parachute Jump! Explore the wonders of Coney Island’s previous centuries. Hot dog eating contests, amusement rides and games of chance. Ride the roller coasters and swim in the clean and pristine aural waters of Zero Boy’s latest vocally animated cartoon.” Here’s a snippet of the play performed this spring at the Ask Dr Hal Show in San Francisco…

In a recent phone conversation with ATZ, Zero Boy talks about developing the play from a three-minute bit to a 45-minute work-in-progress, the inspiration for the set design, fave things to do in Coney, and oh yeah, how he got the name Zero Boy. For the record, his answers were punctuated with lots of laughter and little onomatopoeic flourishes. Photos of Zero Boy used with permission of the photographer Scott A Ettin.

Q: When I first saw the notice for your show on the CIUSA website I was excited because of course I know your work and I love Coney Island. I thought, I have to see this! What will the show be like in relation to the history of Coney Island?

A Trip to Coney Island with Uncle Zero Boy. Photo © Scott A Ettin/www.tankboy.com

A Trip to Coney Island with Uncle Zero Boy. Photo © Scott A Ettin/www.tankboy.com

A: Well, I do a comic romp through the past, present, and future of Coney Island. It’s sort of like a cartoon of certain big historical elements starting with the beginning of Coney Island all the way up to the 80s, 90s, to now. I did a thing called Stump Zero Boy where people would write in a two word scenario on the radio. I do a similar thing toward the end of the show. People say the Future of Coney Island is dot dot dot. Then I present the future of Coney Island via the audience’s suggestions.

Q: How did you get the idea to do a show about Coney Island?

A: It started as a routine last year I did in a show called “Astroland” at the Kitchen. They asked me to do a bit for it, three minutes of Coney Island Zero Boy style. That routine went from three minutes and developed into a 25, 30 minute routine. I knew I wanted to do a full blown play because the response to it in traveling around the country. When I was doing the routine in Seattle, Eugene, San Francisco, Albuquerque, Santa Fe, and in New York, it was sort of like a sail boat. I didn’t have to put up the sail very hard before the thing was flying across the lake.

Every show, there’s a guarantee someone will come up and tell me, I went to Coney Island when I was bla bla years old. I saw Steeplechase. Or, oh I was too young to see it but… Or I went with da da da da. People come up and tell their stories. As I found out the history of Coney Island, I was really blown away. I developed the show and brought in a director from Seattle who really helped format the show for September 11 at Ars Nova.

Q: How did you research it?

A Trip to Coney Island with Uncle Zero Boy. Photo © Scott A Ettin/www.tankboy.com

A Trip to Coney Island with Uncle Zero Boy. Photo © Scott A Ettin/www.tankboy.com

A: I read Charlie Denson’s book Coney Island Lost & Found, which I loved. It was a major inspiration for me and for the set design, along with the other materials we had. I did a lot of Internet surfing. This summer was the summer that I’ve gone to Coney Island the most. And I jumped on my bike and I rode around the whole island, which was a real interesting eye opener because most people just get off at Brighton Beach or the amusement district and that’s it. Seriously, people get off the train they just head for the beach. They never really go in the opposite direction.

On Labor Day Weekend we were wandering around Coney Island. When you get there at 11 o’clock on a Sunday no one is there, you get there at 12 the place is hopping. Then we came around the corner— and I’d read that article about the Bell in the newspaper how the divers pulled the Bell out of the water— and here we are and they’re pulling the Bell out of the Coney Island History Project and I was the second person to ring the Bell that day!

For me it was a special moment, I felt like it was Coney Island saying go, Zero Boy go, tell our story. I tell everyone this story. One, I tell people you should check out the Bell, and two, it really meant something to me, like history is coming back around. Because people really don’t know anything about Coney Island unless they really research it. I didn’t know anything. You realize the whole island was a giant resort that slowly melted away.

I hope folks from Coney show up and say, oh you’re wrong about this, you need to add that, because the show really needs about 20 minutes more worth of material in my estimation.

Q: How long is it now?

A Trip to Coney Island with Uncle Zero Boy. Photo © Scott A Ettin/www.tankboy.com

A Trip to Coney Island with Uncle Zero Boy. Photo © Scott A Ettin/www.tankboy.com

A: it runs about 40 to 45. It is a Zero Boy style show in that it’s like Bugs Bunny going through history

Q: I saw that YouTube clip from San Francisco and I realized that it was probably a shorter, earlier version because it didn’t say anything about Luna Park or Dreamland. I love the intro Dr Hal gives you, he’s hilarious!

A: At that Dr Hal show this guy David Capurro the Yo-Yo King was on the fly. No matter what performer is going on he throws up images off the Internet. He was on the fly doing that and I started interacting with it. It inspired me.

The rest of the show, whole sections of it, I had gone out and done solo bits. So there were elements that had been tried and true with the audience. Now it’s a play rather than just a routine.

I’m going to start adding interactive stuff where I’ll be using old film footage and literally as people turn and look maybe speaking to them sort of Zelig style.

Q: Do you use props too?

A Trip to Coney Island with Uncle Zero Boy. Photo © Scott A Ettin/www.tankboy.com

A Trip to Coney Island with Uncle Zero Boy. Photo © Scott A Ettin/www.tankboy.com

A: No, I do not. A la Zero Boy, the props you see are whatever I create via sound and simple pantomime and I have a beautiful set. As a Coney Island person you will love it. What was so funny was when we did the show at Ars Nova, there’s a reveal where I say “Welcome to Coney Island” and the curtains open, and there was the set. And the set got applause

Q: Wow

A: I thought so, too. I was like, wow. The visual artist who spent two weeks making it was crying he was so happy. But the other thing is the Elephant. It’s the centerpiece on the set actually. In the sideshow I don’t think there will be a reveal cause there’s no place to hide the set. But people who know the history will appreciate it. Aficionados are gonna go, yeah

Q: Personally what are some of your favorite things to do in Coney Island?

A: I’d say first thing you do is take the Q train to Brighton Beach and pick up your food. You’ve got that great neighborhood filed with all Russian food, Georgian food, great deals on fruit, then walk down the Boardwalk to the amusement zone. That’s what I tell people

Q: What’s your favorite ride or game?

A: My favorite would be the Cyclone, It scares me every time but I love it every time. The Cyclone is such a great old thing.

Q: The Cyclone is in the show, right?

A Trip to Coney Island with Uncle Zero Boy. Photo © Scott A Ettin/www.tankboy.com

A Trip to Coney Island with Uncle Zero Boy. Photo © Scott A Ettin/www.tankboy.com

A: Oh, of course, it’s the height of the show. It’s funny, if I had my druthers, my favorite ride would be the Steeplechase. If I could go back in time and ride that thing, that would be one of my wishes of life. Part of the show is based on my friend, a Lower East Sider who grew up on 13th Street between 2nd and 3rd. He told me about going to Coney Island as a kid in the 1940s and riding the Steeplechase horse and thinking he was gonna fall off. Part of my show is Uncle Zero Boy talks about when your grandfather grew up on the Lower East Side and he loved to go to Coney Island and I tell his story of Steeplechase and Luna Park.

I talk about Dreamland, Luna Park and Steeplechase Park in one element of the show. You’ll get the reference to the Bell.

Q: Oh, the Bell is in the show?

A: Very briefly. I talk about the fire. I talk about everything went up in flames, and you hear bong bong splosh. I talk about the historical recreations they did. I talk about the Wonder Wheel… the Wonder Wheel, the largest ferris wheel in the world. It’s 600 meters in diameter.

I bring out Frankie Yale. I bring out Al Capone. I talk about the Fearless Frogman himself. I basically cover a lot of bases in a small show. It’s such a huge, huge thing, but there are a few more bases I need to cover. That’s why I’m taking a long process and developing the show.

I have this really great feeling about this Coney Island show. I’ve hit some universal vein. It’s the right time and the place is really wonderful. Coney Island was the template for so many things.

A Trip to Coney Island with Uncle Zero Boy. Photo © Scott A Ettin/www.tankboy.com

A Trip to Coney Island with Uncle Zero Boy. Photo © Scott A Ettin/www.tankboy.com

Id like to ultimately do the Fringe Festivals this coming spring and summer and fall. What would be cool is doing it in Times Square in a small theatre so people who are coming to visit New York get a little taste of this and go running out to Coney Island.

Q: How did you become Zero Boy? I thought, gee I wonder if he did this as a boy at school?

A: No this is what happened… when people interview me on the radio, how did you get the name Zero Boy, I say when I was a young kid I was hit by a radioactive mathematician and it gave me the superhero powers to make sound into reality, cartoon sounds. And then we moved to France and while we were in France, I was walking along the Champs d’Elysee and I heard non non non, which in English means no. And I look up and the Eiffel Tower is shaking and bolts are popping out. So I fly over and I turn on my welding finger. I hear “the hero boy the hero boy he saved us he saved the Eiffel Tower, the hero boy!” and I get the medal from the President. But the newspapers in America messed up and got it as Zero Boy. So I kept it.

A Trip to Coney Island with Uncle Zero Boy. Photo © Scott A Ettin/www.tankboy.com

A Trip to Coney Island with Uncle Zero Boy. Photo © Scott A Ettin/www.tankboy.com

“A Trip to Coney Island with Uncle Zero Boy”

Written by Zero Boy
Director… Armitage Shanks
Dramaturge… Jodi Glucksman
Set Design…Adrianno
Audio and Media Design… Richard Reta
Set Construction…Terry McHugh
Booking… Gorgeous Management
Michael Wolk, Maureen Sebastian
Photography… Scott Ettin

Burlesque at the Beach at Sideshows by the Seashore, Coney Island USA
Friday, October 16, 2009, 9 pm, $15
1208 Surf Avenue at West 12th St, Coney Island

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