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Beyoncé

Beyoncé riding the Coney Island Cyclone. August 29, 2013. Photo via beyonce-legion.com

Thursday morning’s awesome rumor turned out to be true! Woke up to a phone call from a TV reporter asking if we knew anything about Beyoncé shooting a music video on the Coney Island Cyclone today. A few hours later the chatter on twitter was that she was arriving at 4PM. Uh, make that 5.

Beyoncé and her crew conquered the Cyclone roller coaster before moving on to Coney’s legendary “Bump Your Ass Off” Eldorado Auto Skooters and Arcade. A bit later she was surrounded by adoring fans on the Boardwalk. In Wonder Wheel Park, Beyoncé went for a whirl on the landmark Wheel and the classic Spook-A-Rama dark ride with the music video’s director Terry Richardson.

By 9:30PM, they were heading back for another go at Eldorado, where the music part of the video was being shot and no phone calls or photos were allowed, said a friend who was an extra. The famed disco palace of bumper cars was closed all day for the shoot.

The music video is said to be for a new song called “XO,” which is expected to be released in about 3 months.

Beyoncé

Beyoncé and photographer Terry Richardson riding Spook-A-Rama, Coney Island. August 29, 2013. Photo via beyonce-legion.com

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If chanteuse Carol Lipnik had a sideshow bannerline it would say “The queen of Coney Island phantasmagoria” (Lucid Culture) and “A Coney Island of the Ear” (New York Times) in addition to “My Life as a Singing Mermaid.” On March 17, Lipnik will appear in concert at Joe’s Pub at the Public Theater with keyboardist Dred Scott. She calls her band Spookarama after the dark ride at Deno’s Wonder Wheel Park. Her multi-octave voice and Scott’s wurlitzer do indeed make you feel as if you’ve stepped inside an old-timey spook house or are careening down the drop of a roller coaster. In this Q & A, ATZ asked Carol about her association with Coney Island.

ATZ: We were surprised to realize the lyrics of “List of Attractions,” one of the songs that you’ll be singing at Joe’s Pub, really are a list of long-vanished Coney attractions. The House Of Too Much Trouble, Wormwood’s Monkey Theater, The Cave Of Winds, The Haunted Swing, and so on. How did you come to write the song?

Carol LipnikCL: Growing up in Coney Island during its decline I quickly understood that it was a place filled with historical ghosts. I loved wandering the boardwalk and the amusement park area, especially off-season. Staring up at the decaying rides I felt Coney Island to be a place where the presence of things that were there were more there than the things that remained there. There was something so compelling to me in this wabi-sabi dreamland decay of sadness and hysteria. I can remember how the abandoned Thunderbolt Coaster became covered with vines and full of birds, and how the Parachute Jump’s cables whipped in the wind, and still to this day the hollow constant moaning of the wind through The Astro Tower like a giant flute. In my researches I found the names of past attractions to be so enigmatic that I got the idea to string them all together as a long list which when sung would tell much of the story – you fill in the imagery!

ATZ: These are all long ago attractions, but if you could bring three of them back, which ones would you choose and why?

CL: The Haunted Swing seems really fun – I believe it was a ride where the actual swing was stationary and the room swung around! Trip To The Moon a la George Melies film world would be so fun! The Cabaret De La Mort – Zombie burlesque anyone? Disaster Illusion rides like The End Of The World and The Fall Of Pompeii (maybe with a Global Warming slant?)

ATZ: When you say “Growing up in Coney Island…” Did you live in Coney Island as a child or do you mean you came here often as a child growing up?

CL: I grew up in Coney Island on Neptune Avenue — in Trump Village. Also, by the way, my uncle had a wonderful Jewish Delicatessen on Mermaid Avenue called Rosenberg’s that was all black and white art deco and mirrors. He made his own mayonnaise for potato salads and coleslaw, his own stuffed derma, and he was very strict about serving sandwiches properly — no white bread or mayo with the pastrami! He loved it and he held out till he finally got burned out.

ATZ: Why did you name your band Spookarama?

CL: The Spook-A-Rama dark ride pretty much summoned up my experience of Coney Island and what I was trying to project with my songs — a shamanic trip through a slapstick/vaudeville/cartoon/demonic/maniacal/ carnival world which turns out to be a distant cousin to the Tibetan Buddhist practice of Chöd where initiates wander through fearful haunted dark places and co-exist with all these odd monster spirits. A place I frequent in my head and in my music. Also, I had a big crush on the Cyclops who’s reappeared last year from the storage bin and hoping he’s OK since Sandy. I’m hoping Spook-A-Rama will pull thru after Sandy. I saw them drying the paper mache monsters. How are they?

ATZ: The Cyclops has miraculously survived but many of the other props were badly damaged by the flood. Some will be restored for use as static figures. The interior of the ride is currently being rebuilt with new props and is expected to open this spring.

Carol Lipnik and Spookarama at Joe’s Pub at The Public Theater, 425 Lafayette Street, NYC, March 17 at 7pm (doors open at 6:30), $15 cover.

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Temps in the mid-50s in January coupled with the news that 2012 was the hottest ever in the US has put us in the mood for a little summertime music. “In Summertime Down by the Sea” was sung by the successful early recording artist Dan W. Quinn in 1904, when Dreamland was brand-new and Luna Park was just one year old. “The splendid new summer song. Don’t fail to get it for your act,” said an ad in The New York Dramatic Mirror.

In summertime down by the sea
The only real place boys for me
Take a ride on a trolley get there before dark
Take your sweetheart to Dreamland or to Luna Park
In summertime down by the sea
The place where we all like to be…

The Columbia black wax cylinder record is played on a 1901 Columbia Model AB Graphophone. Both are from the collection of Victrolaman, whose 1920s recording of the Mills Brothers “Coney Island Washboard Roundelay” was previously featured on ATZ. Victrolaman’s YouTube channel features recorded sound from the 1890s up to the mid-1930s played on the original gramophones & phonographs of that era.

In Summertime Down by the Sea

In Summertime Down by the Sea. The Lester S. Levy Collection of Sheet Music, Special Collections at the Milton S. Eisenhower Library of The Johns Hopkins University

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April 17, 2010: Our Fave Coney Island Song: Joe McGinty’s Million Dollar Mermaid

December 15, 2009: Victrola Vault: Mills Brothers “Coney Island Washboard Roundelay”

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