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French Spidora

La Femme Araignee. Cirque Daniellis. Paris: Aussel, ca. 1937. One-sheet. Potter and Potter Auctions

This rare and delightful 1937 French circus poster is on the auction block today at Potter and Potter’s sale. “La Femme Araignee” is an advertisement for Cirque Daniellis’ spider woman. Known as the Spidora sideshow illusion on American carnival midways, it features a young lady with the head of a beautiful girl and the body of a giant spider.

Missed it? Check out the video below of Walt Hudson’s Spidora pitch and see her for yourself. “She’s strange, she’s unusual, she’s a lovely little girl. I’m going to let you look at her. Shortly afterwards we’re going to take her off the web and feed her, and you’ll have an opportunity perhaps to see that…” Little Spidora was an attraction at Atlantic City’s Steel Pier, Hudson says. And why by the way do we not currently have a Spidora single-o in Coney Island?

Potter and Potter’s live auction is on February 6 in Chicago but the catalogue is online and you can bid on the poster now or in real time during the auction.

Update: The poster sold for $1,200 plus a 22% buyer’s premium.

Related posts on ATZ…

June 27, 2013: Photo Album: The Front of the Show at Meadowlands Fair

May 22, 2013: Art of the Day: Girl to Gorilla Showfront by Lew Stamm

September 2, 2012: Art of the Day: World’s Smallest Woman Arrives in Coney Island

November 4, 2011: Up for Auction: Ringling Bros Circus Side Show Poster

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Bobby Wicks  Roller Skating Monkey Banner

Vintage Roller Skating Monkey Sideshow Banner by Bobby Wicks. Morphy Auctions

Brooklyn-born Bobby Wicks (1902-1990) was a banner and show painter and tattooist greatly admired by his fellow artists. Wicks once told a reporter that he got his start as a boy painting signs that said “Frankfurters 5¢” for Coney Island hot dog stands. Though both his paintings and tattoo flash are hard to come by, a delightful roller skating monkey banner that he did for a carnival’s monkey speedway will be on the block at Morphy Auctions on Sunday.

The 9-1/2 foot tall by 7-1/2 foot wide advertisement was part of a banner line designed to draw people over to a midway attraction that remained popular through the 1950s and ’60s. Trained monkeys in little metal cars raced around a track while customers placed bets on the laydown of numbers. The banner painters often took liberties and portrayed the monkeys in a variety of eye-catching scenarios, from walking a tightrope to dining in a fine restaurant, that were not part of the show.

According to Wicks’ page on the Tattoo Archive, in his early years in Coney he painted shooting galleries for the McCulloughs, worked with several banner painters, and had learned tattooing by age 14 or 15. After making and losing a fortune as a tattooist in the 1920s, he joined Royal American Shows, “The World’s Largest Midway,” and became their chief scenic artist and show painter.

The auction is online and one can bid now or in real time during Morphy’s January 31st sale in Las Vegas.

Update: The banner sold for $1,500 plus a 22% buyer’s premium.

Related posts on ATZ…

March 19, 2014: Memoirs of a Carny Kid: Monkeys on the Midway

November 23, 2013: More Photos from the Glory Days of the Sideshow Banner

November 7, 2013: Photos from the Glory Days of the Sideshow Banner

February 4, 2013: Rare & Vintage: Girl to Gorilla Sideshow Banner

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Hazel Hankin Coney Island

Poster for Coney Island exhibit at Valentine Museum of Art. Photo of Coney Island’s Bowery in 1977 © Hazel Hankin

Coney Island has come to Flatbush Avenue -specifically, the Coney-themed work of seven photographers and two painters is on view at the Valentine Museum of Art through March 11. Photographer Larry Racioppo curated the exhibit, which grew out of a meeting with Michael Valentine, publisher of Breuckelen Magazine, to propose a special Coney Island issue. The upcoming edition of the magazine will feature interviews with each of the artists in the show.

In addition to Racioppo, the photographers are Norman Borden, Dan Burmeister, Hazel Hankin, Ron Meisel, John Rossi and Jamel Shabazz. The painters are Greg Frux and Marc Kehoe. The work spans Coney Island’s past and present, and is supplemented by archival images from the Brooklyn Public Library’s Brooklyn Collection.

March Kehoe Coney Island

One of a series of paintings by Marc Kehoe depicting riders on Coney Island’s Spookhouse dark ride. Oil on canvas, 1987.

As a member of the Coney Island Hysterical Society in the mid-1980s, Marc Kehoe painted his “It’s Spooky” mural on the exterior wall of the group’s Spookhouse, a dark ride renovated as an art project. Both are long gone. What remains are Kehoe’s 20 canvases portraying the lurid faces of Spookhouse riders whose expressions mirror the macabre stunts that made them scream.

“Boardwalk Renaissance: How the Arts Saved Coney Island,” a concurrent exhibit at City Lore in Manhattan, which we wrote about in “Art of the Day: Remembering Spookhouse – A Ride Through Gallery in the Dark” (ATZ, November 16, 2015), showcases some of the work of CIHS artists, including Kehoe and Hazel Hankin.

Larry Racioppo

Ruins of Coney Island’s Spookhouse just before its demolition in 1997. Photo © Larry Racioppo

At VMoA, Hankin documents the Spookhouse in operation while Larry Racioppo captures it after it had closed and fallen into ruin. Racioppo, whose subjects range from revelers at the Mermaid Parade to the derelict beauty of the abandoned Thunderbolt roller coaster, took up photography in 1970. Hazel Hankin also began photographing what was left of the Coney Island of her childhood in the 1970s. Her forte is beautifully framed shots of old school concessionaires and snoozing ticket takers who have all but disappeared from the new Coney Island.

The two posters for the exhibit feature Hankin’s stunning photo of the Skydiver ride and other vanished attractions on Coney’s Bowery and Racioppo’s heartbreaking shot of the half-demolished Thunderbolt with its ramshackle cars in the foreground. The posters are available for sale via the museum’s online store.

Hazel Hankin Photography

One In Wins, 1977. Photo © Hazel Hankin

Also striking at VMoA is Jamel Shabazz‘s sympathetic documentation of the Tribute to the Ancestors of the Middle Passage, which has been held annually on Coney Island beach for more than 25 years. Attendees are encouraged to wear white and bring offerings to place in the ocean to honor the spirit of African ancestors who died during the voyage across the Atlantic where they were being taken as slaves.

Two public programs are planned at VMOA in February:

FROM BROOKLYN COLLEGE to CONEY ISLAND – Saturday, February 20th, 2pm -6 pm. Brooklyn College graduates Hazel Hankin, Larry Racioppo and John Rossi discuss/illustrate their photography careers.

TRIBUTE TO THE ANCESTORS – Saturday, February 27th, 6pm. Artist talk with Jamel Shabbaz about the history and significance of this annual event.

The Valentine Museum of Art is located in the Philip Howard Apartments, where art collector and longtime resident Michael Valentine has teamed up with the co-op’s board to activate a 5,000 square foot art gallery space. The next exhibit, in May, will feature work by BFA students from nearby Brooklyn College.

“Coney Island,” Valentine Museum of Art at Philip Howard, 1655 Flatbush Avenue, Brooklyn, NY 11210. Exhibit runs through March 11, 2016. Gallery open Wednesday – Sunday, 12pm – 6pm. Free admission.

Jamel Shabazz

Annual Tribute to the Ancestors of the Middle Passage in Coney Island. Photo © Jamel Shabazz.

Related posts on ATZ…

November 18, 2015: Art of the Day: Remembering Spookhouse – A Ride Through Gallery in the Dark

April 20, 2015: Art of the Day: “Greetings from Coney Island” Blends Past & Present

January 28, 2015: Art of the Day: Takahiro Iwasaki’s Miniature Coney Island at Asia Society

December 13, 2014: Art of the Day: David Levine’s Watercolors of Coney Island

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