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The house under the roller coaster in Woody Allen’s “Annie Hall” was the real life home for 40 years of Mae Timpano, who shares vivid memories of good times and sad in this 2005 documentary by Lila Place. “If the wind was blowing towards the house, I heard everything going on in Coney Island,” says Timpano in the film. For most of those years under the Thunderbolt, her companion was Freddy Moran, who owned and operated the famed coaster built by his father over the Kensington Hotel in 1925. She recalls the two of them going for swims to the end of Steeplechase Pier at 2AM after she got off work as a waitress.

“Mae’s story is a window onto a lost world and makes us think about the importance of place in a new way,” says the film-maker. In addition to Timpano’s candid reminiscences, the 16-minute documentary includes interviews with family, friends and historians as well as old news clips. Moran tells a TV reporter asking about changes in Coney Island: “Roller coasters are a very, very stable element of the amusement business and I don’t see any way they’re going to be replaced by anything else and give the same feeling.” But after Moran died in 1982, the coaster closed and would never reopen.

Timpano was a spirited survivor who lived alone in the house for several more years. “I got used to the quietness,” she says, just as she had gotten used to the clatter of the roller coaster passing overhead and finding wigs and dentures lost by riders in her backyard. Horace Bullard, who bought the Thunderbolt and other properties with the dream of rebuilding Steeplechase Park, once said of Timpano: “She’s Miss Coney Island. When you get close to her, you get sort of the feeling of what Coney Island used to be like.”

Timpano, who died five years ago, outlived the coaster and her former home, which were controversially and illegally demolished in 2000 on the orders of Mayor Giuliani.

“Under the Roller Coaster” won a number of awards including Best Made in Coney Island Film at the Coney Island Film Festival (2005) and Grand Jury Prize for Best Documentary Short at Slamdance (2006).

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Time travel back to Coney Island at Night in 1905 and see a panoramic view of the magical lights of Luna Park, Dreamland and Steeplechase. This early time exposure was made by pioneering filmmaker Edwin S. Porter, whose use of panning and the first after-dark photography can be seen in films of the 1901 Pan-Am Exposition in Buffalo. The long, sweeping view of Coney Island’s three great amusement parks ends with the camera panning up and down the Dreamland Tower.

According to Charles Musser’s Before the Nickelodeon: Edwin S. Porter and the Edison Manufacturing Company, Edison acquired “the exclusive privilege” for the 1905 season at Dreamland. Other subjects made by Porter under this contract are Hippodrome Races, Dreamland, Coney Island (June 1905), Mystic Shriners’ Day, Dreamland, Coney Island (July 1905), June’s Birthday Party (July 1905), and Boarding School Girls. In this version of the film, the young ladies of Miss Knapp’s Select School go on an outing to Coney Island where they pass through Dreamland’s Creation gate, frolic in the surf and ride Steeplechase’s camels and mechanical Horse Race.

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