The return of the nervous kid who grew up in a house under a roller coaster? Woody Allen says his next movie will be set in an amusement park and could possibly be shot in Coney Island this summer. “If I can work out the logistics of it,” he told reporters at the Cannes Film Festival.
Scenes from Allen’s 1977 Annie Hall were filmed in Coney at the since demolished Thunderbolt roller coaster and the Cavalcade Bumper Cars on Surf Avenue. Where would he film today? Well, there’s Luna Park’s new Thunderbolt roller coaster, which does not have a house under it but does have a hair-raising 90 degree drop, and the roller coaster like thrill of the Wonder Wheel’s swinging cars, and the mighty Cyclone.
As Allen’s alter ego Alvy Singer says in Annie Hall, “My analyst says I exaggerate my childhood memories, but I swear I was brought up underneath the roller-coaster in the Coney Island section of Brooklyn. Maybe that accounts for my personality, which is a little nervous, I think.”
The house under the roller coaster in Annie Hall was the real life home for 40 years of Mae Timpano, who shares vivid memories of good times and sad in a 2005 documentary by Lila Place. “If the wind was blowing towards the house, I heard everything going on in Coney Island,” says Timpano in the film.
Ray Valenz and Betty Bloomerz of the Coney Island Sideshow ride the Thunderbolt in this still from Jim McDonnell’s The Longest Friday of the Year
The 15th Annual Coney Island Film Festival kicks off tonight, September 18, with a doc about burlesque duo Trixie Little and The Evil Hate Monkey and an opening night party featuring live sideshow, burlesque and an open bar. This year’s selections include over 100 films in 16 programs, wrapping up on Sunday evening with a roster of Coney-centric films and a Coney Island style awards ceremony at the famed “Bump Your Ass Off” Eldorado Bumper Cars.
Several films screening at the film fest were made by or are about ATZ friends and acquaintances. We asked them to share behind the scenes anecdotes about the making of their films.
Still from Jim McDonnell’s The Longest Friday of the Year
Photographer and videographer Jim McDonnell is following up his 2014 “Made in Coney Island” winning short doc “Thunderbolt” with a documentary feature “The Longest Friday of the Year” (Program 16, Sunday, 6pm). The Friday of the title is June 19, 2015, the first weekend and the first fireworks show of summer and the eve of the Mermaid Parade.
It was my goal to show a day in the life of Coney Island from and give a glimpse into the lives of some of the people that work in the amusement district. There were 11 different people that shot footage for me that I staggered over the course of the day, and that’s not including myself. We shot from 4:30 in the morning until 1:15 the next morning.
Despite only being a one day shoot – it was the largest and most ambitious production I’ve ever done. Some of my cinematographers were Coney greats including Bruce Handy, Eddie Mark, Lloyd Handwerker, Kenny Lombardi and Raymond Adams (just to name a few).
I conducted a total of 22 interviews/conversations but only used 18. Some of the interviewees are DJ Vourderis from the Wonder Wheel; Ray Valenz, Betty Bloomerz and Patrick Wall from Coney Island USA; Louis Beard from Eldorado; and Fernando Velasquez from Luna Park. I really wanted to emphasize the diversity of the community.
Still from This Side of Dreamland, a documentary portrait of banner painter Marie Roberts by Patrick Reagan and Joshua Glick
“This Side of Dreamland” by Patrick Reagan and Joshua Glick (Program 16, Sunday, 6pm) is about Coney Island artist Marie Roberts, whose sideshow banners have emblazoned Coney Island USA’s building since 1997. Lester A. Roberts, Marie’s uncle, was a talker extraordinaire with the Dreamland Circus Sideshow in the 1920s.
I think they looked at a bit of Coney Island through me. I started a painting on camera (which I cursed myself no end for doing, it was the Kavadlo Brothers painting, and I had to use a photo) and I worked over that thing a lot. Patrick’s eye was sensitive, he got my arm painting, which was really the important thing in the shot.
I think they got me, and the culture of the place, the amusement part anyway, and that they did an incredible job in less than ideal situations. They even got the animals. There is a scene in my yard with the Dreamland animals graves and Hyjinx from CIUSA (all buried there). Momma cat appears, Patrick put some animated cats in which I am not wild about but he is.
As the story goes, Lester came back from his traveling sideshow and left the snake and monkey at the house. My father took care of them. Have photo of him and monkey. She died because the house was drafty and she caught a cold. They are buried in the yard along with Hyjinx and my Floyd and Bessie cats. Graves were not marked but my father pointed them out many times. There are flowering bushes there now.
Still from This Side of Dreamland a documentary portrait of banner painter Marie Roberts by Patrick Reagan and Joshua Glick
In previous years at the Coney Island Film festival, Lou Dembrow has shown short docs about John Dorman of Philips Candy of Coney Island, which moved to Staten Island, and Jimmy Prince, who retired from Mermaid Avenue’s Major Market. In 2012, her film about the Wonder Wheel won Best Documentary Short. This year’s entry is “Deno’s 2007, A Kaleidoscope View” (Program 16, Sunday, 6pm).
A kaleidoscope is a cylinder with mirrors that creates a colorful pattern, due to the reflection of beads or pebbles, off the mirrors. I used the ‘mirror’ filter in imovie to create the kaleidoscope effect and edited the film in Final Cut,” says Dembrow. These images from the movie demonstrate the kaleidoscope effect.
Still of Airplane Ride from Deno’s 2007, A Kaleidoscope View by Lou Dembrow
Painter Marc Kehoe, for whom Coney Island has been an inspiration for more than 25 years, is also a film school alum who has two films in Program 2, Saturday, 2pm.
“When” is a film noir set in the near future of a large coastal city- after the climate and environment have radically changed, causing rising waters to engulf the city at unpredictable intervals. Our guide through this disturbingly upended society is the Narrator, an operative who works for The Control an agency or a person that/who maintains order in the city-or what is left of it. The Narrator recalls his own version of what daily existence was before the waters began rising. Love, Art, Freedom & Trust converge during the films climax, in the ruins of what was once the city’s beach resort. It was shot off season in Coney Island, soon after Luna Park was opened. There are shots of the late great AstroTower.
WHEN, a film by Marc Kehoe. Program 2, September 19, Coney Island Film Festival
“Ruby’s Last Call,” also by Marc Kehoe, was shot on November 6, 2010. (Luckily, Ruby’s later won a reprieve and a lease.)
“Ruby’s Last Call” records what was touted as the last day of business of Ruby’s Bar and Grill, the venerable Coney institution on the Boardwalk between W 12th Street and Stillwell Avenue. Ruby’s, along with other long-term businesses, was threatened with eviction – at very short notice. The film depicts a celebration/protest featuring Ruby’s daughters Cindy and Melody, patrons and concerned citizens- and music by local bands Sean Kershaw and the New Jack Ramblers. The finale features a poetic surprise.
Michael Sarrel in Ruby’s Last Call, a film by Marc Kehoe
The Plight Of Cecil is the pilot for Carla Rhodes’ upcoming web series starring Cecil Sinclaire and directed by Ed Hellman. Rhodes, who has been a ventriloquist since she was nine, performs monthly at the Slipper Room with her sidekick Cecil in a show featuring burlesque and vaudeville.
“The Plight Of Cecil” is my opus and my attempt to modernize ventriloquism again and break boundaries as an artist. I used such varied inspiration as I Love Lucy, Shari Lewis, The Marx Brothers, Joe Franklin’s Office (for aesthetic purposes) and my head full of geeky ephemera.
I enjoyed adding little touches like casting my actual pet dove, Pearl Friday as Cecil’s secretary. She changes between a real dove and a puppet dove (for action shots) as a throw-back to early TV. I’m such a geek there is even Morse Code in the episode that spells out a hidden message which no one has noticed or deciphered yet. These are little touches that I always loved seeing in TV/film.
The idea behind the series is Cecil Sinclaire is a vaudeville agent in modern times, and I’m his modern assistant. Potential clients come in and audition with the hopes of being added to Cecil’s roster, and each episode is sponsored by a product. Just like early tv!
Poster for Famous Nathan courtesy Film Movement. Photo of Nathan by Barton Silverman/ New York Times/Redux Pictures
Mazel tov! We’re happy to report that “Famous Nathan,” Lloyd Handwerker’s documentary about his grandfather, who founded Coney Island’s Nathan’s Famous nearly a century ago in 1916, is getting a theatrical run this summer. After premiering last year at the Tribeca Film Festival, the doc screened at film fests from Coney Island to Jerusalem. The film opens on July 17 for a one-week engagement at the Cinema Village in Manhattan, including some Q & A’s with the filmmaker, followed by a July 31-August 6 run at Laemmle Music Hall in Beverly Hills. New York-based indie distributor Film Movement will release the Handwerker doc in North America across multiple VOD and digital platforms on August 4th, with a DVD release on September 29th.
Pieced together over a 30-year period, the film was a labor of love for the filmmaker, who was 17 when his grandfather died. It is also a remarkably candid family memoir. As we wrote last year after seeing the film at Tribeca: Nathan Handwerker, the founder of Nathan’s Famous hot dog empire, is a mythic figure in Coney Island history. The story of the young Polish immigrant working at Feltman’s and saving his salary to open a competing restaurant where hot dogs sold for a nickel instead of a dime is the stuff of legend. His grandson Lloyd Handwerker’s documentary “Famous Nathan” humanizes him and at the same time makes us see that he truly was larger than life.
The documentary is told through home movies, archival photos and footage, the filmmaker’s interviews with a colorful cast of characters including family members and former Nathan’s workers, and the voice of Famous Nathan himself. A 16-minute oral history, condensed from nearly four hours taped by Lloyd’s cousin David Sternshein when their grandfather was 82 is central to the narrative. The cadence of Nathan’s voice and his story reverberate in the imagination even after the film is over: “I want to go to America. I was dreaming about it.”
Famous Nathan directed by Lloyd Handwerker, July 17-23 at Cinema Village, 22 East 12th St, New York, NY. Q & A’s with the filmmaker will be held at the 7pm shows every night, plus the 9pm shows on July 17, 18 and 23, and at the 5pm show on Sunday, July 19.
Amusing the Zillion 