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Posts Tagged ‘Steeplechase Park’

Thunderbolt Roller Coaster from Photographs of New York by Reginald Marsh. ca. 1938-1945, printed 1976. Reginald Marsh. Courtesy AntiquePhotographics.com

Best known for his drawings and paintings of crowds at Coney Island’s beach, artist Reginald Marsh also took photos with a 35mm Leica beginning in 1938. These images from the 1930’s and ’40s by Marsh are from a portfolio of 50 photographs of New York City published in 1977, which is currently offered for sale. The limited edition of 25, plus four artist proof sets, were printed from the original negatives with the provision that the negatives could not be used for any further publication. “The sets are very rare,” photography dealer Jeffrey Kraus of Antique Photographics, told ATZ. “I sold one a number of years ago and this is the second set I am offering.” The portfolio is available for $6500.

Reginald Marsh

Beach Gymnasts from Photographs of New York by Reginald Marsh. ca. 1938-1945, printed 1976. Reginald Marsh. Courtesy AntiquePhotographics.com

Coney Island was one of Reginald Marsh’s favorite places to sketch and photograph. On a hot summer’s day he’d take the subway from his studio high above Manhattan’s Union Square. “I like to go to Coney Island,” said Marsh, “because of the sea, the open air, and the crowds—crowds of people in all directions, in all positions, without clothing, moving—like the great compositions of Michelangelo and Rubens.”

Beauty Contest from Photographs of New York by Reginald Marsh. ca. 1938-1945, printed 1976. Reginald Marsh. Courtesy AntiquePhotographics.com

Marsh was also drawn to the front of the shows, where people stood entranced by the talkers, and the whirl of rides like the carousel and the Virginia Reel, which also attracted onlookers. The Virginia Reel was invented by Henry Elmer Riehl, who named the ride after his daughter, Luna Virginia Riehl. Originally in Luna Park, it later operated at Bowery and West 12th Street as part of Kyrimes Park, where it shared a lot with such now vanished rides as the Gyro Globe, the Looper and the Whip.

Back in the day, there were more independently owned rides and attractions and all had their own distinctively-lettered, open-air ticket booths. The only ride in Coney Island that exists today with its original ticket booth is the Wonder Wheel. Like the Wheel, the ticket booth was built in 1920.

Virginia Reel from Photographs of New York by Reginald Marsh. ca. 1938-1945, printed 1976. Reginald Marsh. Courtesy AntiquePhotographics.com

In an essay published with the portfolio, Norman Sasowsky, who worked as a curator/cataloguer for the Marsh estate, notes that the artist had a pass to Steeplechase Park given to him by park founder and operator George C Tilyou. Steeplechase’s carousel was a favorite subject. “Even though Marsh did not think of himself as a photographer–trying to make a photograph as an end in itself–he produced an exceptional array of photographic images. He selected unerringly the frame for the bit of reality he was about to record,” writes Sasowsky. “Marsh used his camera to photograph other events, such as family gatherings or friends, but his photographs of the places and people he used as themes for his paintings and prints are of special interest because of their intrinsic value and their relationship to his work.”

Carousel

Carousel with Attendant from Photographs of New York by Reginald Marsh. ca. 1938-1945, printed 1976. Reginald Marsh. Courtesy AntiquePhotographics.com

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Time travel back to Coney Island at Night in 1905 and see a panoramic view of the magical lights of Luna Park, Dreamland and Steeplechase. This early time exposure was made by pioneering filmmaker Edwin S. Porter, whose use of panning and the first after-dark photography can be seen in films of the 1901 Pan-Am Exposition in Buffalo. The long, sweeping view of Coney Island’s three great amusement parks ends with the camera panning up and down the Dreamland Tower.

According to Charles Musser’s Before the Nickelodeon: Edwin S. Porter and the Edison Manufacturing Company, Edison acquired “the exclusive privilege” for the 1905 season at Dreamland. Other subjects made by Porter under this contract are Hippodrome Races, Dreamland, Coney Island (June 1905), Mystic Shriners’ Day, Dreamland, Coney Island (July 1905), June’s Birthday Party (July 1905), and Boarding School Girls. In this version of the film, the young ladies of Miss Knapp’s Select School go on an outing to Coney Island where they pass through Dreamland’s Creation gate, frolic in the surf and ride Steeplechase’s camels and mechanical Horse Race.

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Brooklyn-born silent screen star Clara Bow was known as “The Brooklyn Bonfire” and “The ‘IT’ Girl.” What is IT? “Self-confidence and indifference as to whether you are pleasing or not and something in you that gives the impression that you are not at all cold,” explained Elinor Glyn, whose novel was the basis for the 1927 film “IT” that made Clara Bow a sex symbol.

In this scene from the film, Bow is a shop girl who goes on a first date with her boss to Coney Island’s Steeplechase Park. It’s fun to watch old-fashioned “date rides” like the Human Roulette Wheel and the Barrel of Love help them get acquainted. When the couple try the slide, “Mr. Waltham” jauntily wraps his legs around her and she asks him to hold her tight. But when he drives her home and tries to kiss her goodnight, she slaps his face and says “So you’re one of those minute men. The minute you know a girl, you think you can kiss her!”

Our favorite real-life quote from Clara Bow: “I’m a curiosity in Hollywood. I’m a big freak, because I’m myself!” And here’s a delicious bit of trivia from Matt Kennedy, the longtime executive secretary of the Coney Island Chamber of Commerce, who was born in 1905, the same year as Clara Bowtinelli: As a teenager, the future IT Girl sliced hot dog rolls for Nathan’s!

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