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Archive for December, 2013

ATZ has featured Philomena Marano’s artwork in the past, but missed seeing this delightful cut-paper animation “Take Me There” (2011) until she posted it on Facebook as a holiday greeting. The short film was produced by Mary Nittolo of The Studio and features music by Carol Lipnik. Marano, whose cut-paper collages and prints celebrate Coney Island’s rides, games and signage, recently moved back to the South Brooklyn neighborhood of Bensonhurst, where she grew up. Childhood train rides to Coney Island inspired the piece, the artist says…

Growing up, I can’t remember ever NOT going to Coney Island. It seemed like we took that elevated train to the beach every day. We’d board the train at the 79th Street station (at that time, early on it was known as the “West End” or “T” line, later it became the B and is now the D), We were just 6 stops away from Stillwell Avenue. The ride seemed so short that in my young mind I imagined that the elevated train was an extension of the roller coaster! One and the same. I lived 1 1/2 blocks from the elevated line and even when we weren’t riding, the rumbling overhead was still the roller coaster, high above New Utrecht Avenue.

Pholomena Marano Wonder WheelMarano’s prints are for sale at Coney Island USA and Tabla Rasa Gallery in Brooklyn and Smart Clothes Gallery and City Lore in Manhattan. Pendants featuring images from the artist’s Coney Island series are available online via her Philo-mania store.

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October 26, 2010: Studio Visit: Philomena Marano of the Coney Island Hysterical Society

October 26, 2010: Studio Visit: Richard Eagan of the Coney Island Hysterical Society

September 19, 2010: Art of the Day: Play Fascination by Philomena Marano

October 4, 2009: The Wonder of Artist Philomena Marano’s Wonder Wheel

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Christmas Vendor

Christmas Card Vendor, New York City, ca. 1908-1917. Bain News Service, Library of Congress Collection

These century-old photos of peddlers hawking holiday cards–one cent each!– teddy bears and ingenious toys on New York City streets, circa 1908-1917, are a window onto Christmases past for street vending. Exchange the clothing and the goods for the 21st century equivalent and they could be on the street today. Or maybe not…

Vendor of Christmas Toys

Vendor of Christmas Toys, 6th Ave, ca. 1908-1917. Bain News Service, Library of Congress Collection

According to the Street Vendor Project, a membership-based non-profit creating a grassroots movement for vendors, if you want to sell such items, you may be out of luck. In 1979, the New York City Council created a cap of 853 on the number of merchandise licenses. The waiting list is so long that the Department of Consumer Affairs closed it more than 20 years ago.

An exception is made for veterans who were discharged from the service as disabled and for those selling books, magazines, CDs, and art, which are protected by the First Amendment right to free speech. More than 90% of New York City’s street vendors are immigrants and about 10% of vendors are veterans granted a special license under a New York State Law passed in the 1890s.

Selling Xmas Toys on Street

Selling Xmas Toys on Street, ca. 1908-1917. Bain News Service, Library of Congress Collection

City regulation of street vending began in 1906, when a Mayoral Commission inquired into the so-called “Push-Cart Evil.” They concluded that the number of pushcart vendors and sidewalk stands should be regulated.

While adding materially to the picturesqueness of the city’s streets and imparting that air of foreign life which is so interesting to the traveler, lending an element of gaiety and charm to the scene which is otherwise lacking, the practical disadvantages from the undue congestion of peddlers in certain localities are so great as to lead to a demand in many quarters for the entire abolition of this industry, if it may be dignified by that term. It is argued, and with much reason, that when the city was smaller and there was no congestion of street traffic, there was no harm in permitting a few persons to earn their livelihood by peddling their wares along the highways.– Report of the Mayor’s Push-Cart Commission, The City of New York
1906

At the time 97% of the vendors were Jewish, Italian and Greek immigrants who had lived in the U.S. from five to ten years. For many, peddling was not their sole occupation, and was often only a temporary way to make a living, as it was in my grandfather’s day, when he and my father had a wagon selling popcorn and 5- and 10-cent lunch.

Christmas toy seller

Christmas Toy Seller, New York City, ca. 1908-1917. Bain News Service, Library of Congress Collection

Pitching one’s wares was also strictly regulated according to the Annual Report of the Police Department of the City of New York for 1920.

Peddlers, Hawkers, and Vendors Generally

TIME OF CRYING
6. Section 133. No street peddler, or vendor, shall blow upon or use any horn or other instrument, nor make any noise tending to disturb the peace or quiet of a neighborhood, for the purpose of directing attention to his wares or trade. No peddler shall cry or sell his or her wares, or merchandise, on Sunday, nor after 9 o’clock P. M., nor cry his or her wares before 8 o’clock in the morning of any day except Saturdays, when they will be allowed to cry or sell their wares or merchandise until 11:30 o’clock P.M.

Xmas Peddler

Xmas Peddler, New York City, ca. 1908-1917. Bain News Service, Library of Congress Collection

PLACE OF CRYING
7. No peddler shall be allowed to cry his or her wares within a distance of 250 feet of any school, court house, church or building in which religious services are held, during hours they may be in session: nor at any time within a like distance of any hospital, asylum or other like institution; nor within a distance of 250 feet of any dwelling house or other building, when directed by an occupant thereof not to do so.

Street Peddlers

Christmas Street Peddlers. Bain News Service, Library of Congress Collection

“Our economy is changing and work is changing,” writes Braeden Lentz, a staffer at the Street Vendor Project. “Yet street vendors have been creating their own economy, one that is not subject to the whims of corporations, for two centuries.” With more than 1,500 active vendor members, SVP offers programs such as The Pushcart Fund’s small business loans, legal and technical assistance, classes for people thinking of becoming food vendors and the Vendy Awards for the best in the business.

Xmas Postcards

Xmas Postcards, New York City, ca. 1908-1917. Bain News Service, Library of Congress Collection

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December 13, 2013: Photo Album: Gingerbread Coney Island in City Harvest Extravaganza

December 9, 2013: Photo Album: First Snow of the Season in Coney Island by Bruce Handy

December 24, 2011: Video of the Day: Winter Wonderland for Christmas Eve

December 18, 2011: Playing Santa at the Coney Island Polar Bear Plunge

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We’re pretty sure “XO,” Beyoncé’s love letter from Coney Island, is going to cause a spike in Coney tourism next season. The full-length version of the new music video shot here in August is now up on her Vevo amid rumors it will be released as a single. According to Billboard, the new self-titled album has become the fastest-selling album ever worldwide in the iTunes Store.

In the Terry Richardson-directed vid, Queen Bey and her crew have a blast riding the landmark Cyclone and Wonder Wheel and the old-school Eldorado “Bump Your Ass off” Bumper Cars. They dance on the Eldorado’s Skee-Ball lanes too! There are gorgeous aerial shots of the parks and beach, and the lights of the Parachute Jump. Amid scenes of Beyoncé being swarmed by fans, you’ll catch a glimpse of Boardwalk legend Tony Disco, 79, as well as a little boy boogying on the Bowery. A week after the shoot, the crew went back to capture the famous “25¢ to Fall in LOVE” dancing doll “Miss Coney Island” (seen at 2:20).

Beyoncé

Beyoncé and XO video director Terry Richardson riding Spook-A-Rama, Coney Island. August 29, 2013. Photo via beyonce-legion.com

When Beyoncé’s album surprise-debuted on Friday with a 30-second preview of the video, some tweeters said Coney looked huge and extravagant and nothing like it does in real life. One called it “the Beyoncé effect.” For those of us who have sand in our shoes, Coney Island is larger than life and extremely fun. This special place is also forever photogenic and a magnet for videographers. Beyoncé’s “XO” is arguably the first music video that shows both the new and the old Coney Island. Some of our fave vids of the past portray a gritty and deserted Coney Island during the off-season like The Heavy’s dark and seedy “Sixteen,” shot in late 2008 or 2009.

Here’s what some twitterers had to say about “XO” and “the Beyoncé effect” in Coney Island. What do you think?

https://twitter.com/LRNROSE/status/412399038147743745

https://twitter.com/cthagod/status/411885686640615425

https://twitter.com/S_Evangelina/status/411966459028324353

https://twitter.com/bridgesquid/status/412391821604442113

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August 30, 2013: Beyoncé Shoots New Music Video in Coney Island

July 28, 2013: Video of the Day: Twistin Gorilla with the Pontani Sisters

January 30, 2011: Music Video: The Clash Overpowered by Funk in Coney Island

January 8, 2011: Music Video: Strange Powers by the Magnetic Fields

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