ATZ first learned of the existence of this stone face on Coney Island’s beach last spring via a tweeted photo. Since its exact location was not tweeted, we asked Coney Island resident and photographer Bruce Handy if he knew. After a summer-long search, Bruce finally found and photographed the Easter Island-like stone face carved into a rock on Coney Island’s beach! “I like how the people are laying on the rocks, unaware of the Easter Face,” he says.
Can you guess the stone face’s location? Hint: It is somewhere between Seagate and Brighton–all of which was Coney Island when Coney was an island. If anyone knows who carved the rock and when, please leave a comment below. Hey, maybe the Easter Islanders made a trip to Coney Island?! Or is it a depiction of Neptune, the god of the sea?
ATZ attends the Coney Island-themed programs every year and this year is no exception. Here’s a shout out to our friends who are premiering films in Program 13 on Sunday, Sept. 26, at 2 pm! “Gizmo Kaleidoscope,” an experimental short by artist Susan Shaw, is described as “a multilayered love poem to Coney Island. It’s like being inside a ****ing pinball machine.” (Not our asterisks!). In the short “Coney Island: Secrets of the Universe” by historian Charles Denson, “Coney’s iconic cosmology comes into play when a mysterious crypto-governmental force seeks domination of the island.” Photographer and filmmaker Lou Dembrow’s documentary “Last Night in Astroland with Jimmy Prince” features the owner of Mermaid Avenue’s Major Market.
Ticket prices range from $6 for the majority of screenings to $45 for a weekend pass. Some of the programs, including a special screening of “The Warriors,” are expected to sell out, so it’s best to purchase tickets in advance via the festival’s website. Kudos to Indie Rob Leddy for once again assembling a stellar selection and Happy Tenth Anniversary!
Opening Night, Friday, September 24th…”Shape of the Shapeless” by Jayan Cherian. “This documentary tells the story of the spiritual quest of a performer, a yogi, and an artisan who transgresses the boundaries of traditional notions of body, gender, and sexuality.”
Program 6, Saturday, 6 pm…”Last Summer at Coney Island” by JL Aronson, Feature. “Coney Island is known throughout the world as the birthplace of the hot dog, the roller coaster and popular culture itself. But Coney Island is not what it used to be and the area has lingered for years as a specter of its former magnificence. Now, after years of false starts, change is coming. This film profiles a legendary amusement park at the precipice of transformation; a time and place where every summer feels like that last.”
Program 9, Saturday, 9 pm…”Springtime in November” by Jane Dorogoyer. Documentary. “A pastiche of playful images and heartfelt emotions from a Coney Island Polar Bear Club wintertime swim off the beach of Coney Island.”
Program 15, Sunday, 4 pm… “Gelber & Manning in Pictures” by James Lester. A short pilot featuring a vaudeville couple trying to keep from being torn apart in an era when gangsters ruled and burlesque sizzled.
PLAY FASCINATION by Philomena Marano. Cut paper collage, 1990s
In 2007, artist Philomena Marano’s signature art piece, “The World’s Largest Paper Lollypop,” paid tribute to Coney Island’s much-missed Philip’s Candy, which moved to Staten Island when Stillwell Terminal was rebuilt. Her latest tribute to a vanished Coney icon is this cut paper piece done in the early 90s and dedicated to Faber’s Fascination.
When Marano recently learned that Faber’s sign had gone dark, she posted the image on Facebook along with a note: “Do you remember the ‘FABERS FASCINATION’ sign made up of a million light bulbs? Visible as you got off the train station on Surf Ave- well, the sign was taken down recently. Tears.”
The piece is from Marano’s Coney Island series “American Dreamland,” which spans over 20 years (1979-present). “I think Faber’s Fascination, all lit up, was symbolic in the fact that it was the introduction to ‘Fascination’ in general…. as you left the train station & stepped into the Coney Island world,” says Marano.
In 1981, the Brooklyn native co-founded the Coney Island Hysterical Society with fellow artist Richard Eagan because they were “Hysterical” at the rate that the amusement rides and attractions were shutting down. Her work is currently on view in “Urbanessence,” a group exhibition at New York Institute of Technology’s Gallery 61 through October 7th. One of the pieces, “Vision for the Parachute Jump Pavilion,” is a composite of design ideas in collaboration with architect Philip Tusa for the Van Alen Institute competition in 2005.
Amusing the Zillion 