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Coney Island Hysterical Society

Richard Eagan, Gene Manzione and Philomena Marano at the Spookhouse in Coney Island, 1984. Photo Courtesy of Coney Island Hysterical Society.

Wouldn’t it be cool to take over a derelict amusement ride and refurbish it as an art project? “Boardwalk Renaissance: How the Arts Saved Coney Island,” a new exhibit at City Lore, celebrates a time in the mid-1980’s when a group of young artists were able to do just that.

In 1981, Brooklyn artists Richard Eagan and Philomena Marano co-founded the Coney Island Hysterical Society because they were “Hysterical” at the rate that the amusement rides and attractions were shutting down. One of their projects was the transformation of the disused Dragon’s Cave ride on the Bowery into the Spookhouse, billed as “a ride through gallery in the dark – a unique blend of art and amusement.” Admission was $1.00-$1.50, which wasn’t bad considering a ride on the Cyclone cost two bucks back then.

Boardwalk Renaiisance

The art of Spookhouse at Boardwalk Renaissance, an exhibit at City Lore thru March 13, 2016. Photo © Tricia Vita

Artwork by Eagan and Marano, and scenic designs by Bill Stabile, as well as paintings by Marc Kehoe and photos by Hazel Hankin documenting the Spookhouse’s 1984-1986 run are on view at City Lore. According to a vintage poster, the ride featured works by 15 artists plus students of I.S. 291, and “Reconstruction and Revitalization” by a crew of eight. Ten artists were invited to paint each of the original 1940’s Messmore & Damon cars. Among them was Nancy Prusinowski, who reminisced with ATZ about shunning a spooky theme in lieu of a pastoral scene similar to that on a carousel chariot. The eye-catcher was a Cupid holding a Nathan’s hot dog, a hat tip to Nathan’s, which owned the building and was across the way.

It’s remarkable that folks without amusement biz chops were able to preserve and operate an old Coney dark ride, even for a few years. It could not be done today. After Astroland closed in 2008, some friends were actually talking about how we could bring back Dante’s Inferno. Of course it was not feasible.

Marc Kehoe Coney Island Hysterical Society

Marc Kehoe painting ‘It’s Spooky’ mural on exterior wall of the Spookhouse, 1985. Photo courtesy of Coney Island Hysterical Society

“Those were very different times,” says Philomena Marano in an e-mail. “All the right ingredients magically fell into place: Coney Island was abandoned, Sporty Kaufman wanted out of his Dragon’s Cave Ride, we were rowdy, creative and had a vision and Nathan’s Ken Handwerker was keen on launching a revitalization. I must say that all of the time we were working on Spookhouse I was strangely aware that something like this could never happen again. In the canons of weird and bizarre ‘Projects & goals,’ it’s surely at the top.”

In a fantastic example of synchronicity, the Spookhouse also featured set pieces designed by Bill Stabile for Harvey Fierstein’s Off-Broadway play Spookhouse, which were nominated for a Drama Desk Award for Outstanding Set Design in 1984. Fierstein is a childhood friend of Marano, and when the play closed the pieces were donated to Coney’s Spookhouse. When the ride closed due to rising insurance costs, the Skull and the Devil were acquired by Deno’s Wonder Wheel Park and became part of Spook-A-Rama’s stable of props from defunct dark rides.

Spookhouse Bill Stabile

Scenic Designs by Bill Stabile for Harvey Fierstein’s Spookhouse on exhibit at City Lore.

Thirty years later, all that remains of the Spookhouse are two signs and two cars in private collections, and Stabile’s car, which can be seen in the exhibition, along with a replica of his Giant Skull in park paint, the original of which is on display at the Coney Island History Project as “Skully.”

“We’re happy knowing that a few items survived,” says Marano. “And although they are owned by others we maintain a strong attachment to them. Like they are still ours.”

“Boardwalk Renaissance” also spotlights Coney’s house under the Thunderbolt roller coaster, the World in Wax Musee, shooting galleries, and the early days of Coney Island USA including the first Mermaid Parade.

“Boardwalk Renaissance: How the Arts Saved Coney Island,” City Lore Gallery, 56 East 1st Street, NYC 10003. Exhibit runs through March 13, 2016. Gallery open Wed – Fri, 2pm – 6pm and Sat – Sun, 12pm – 6pm. Closed November 26-29. Free admission.

Boardwalk Renaissance

Boardwalk Renaissance, an exhibit at City Lore. November 7, 2015. Photo © Tricia Vita

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Coney Island Hysterical Society

Artists Richard Eagan and Philomena on empty Steeplechase Park site, circa 1982 Photo © Coney Island Hysterical Society

On Sunday, November 18th, artists Richard Eagan and Philomena Marano, who have been collaborating for over 30 years as the Coney Island Hysterical Society, will give a slide talk about their “Hysterical/Historical” work. The above photo from 1982 documents “Souvenir Views of Coney Island,” a “traveling show” that they brought to the then-empty Steeplechase Park site. The free event is at 4:40pm at 440 Gallery, 440 Sixth Avenue, in Park Slope. Eagan and Marano’s exhibit “Art of the Coney Island Hysterical Society,” is on view at the gallery through November 25.

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Coney Island Hysterical Society

FAST BUMPER by Richard Eagan and Philomena Marano, Coney Island Hysterical Society. Wood construction, paint, hand cut paper and printed paper, 2012

Coney Island currently has three bumper car rides–The Eldorado, the refurbished Astroland ride at Deno’s Wonder Wheel Park and one at 12th Street Amusements– and once had many more, but artist Richard Eagan says Fast Bumper is not a literal portrait of a particular ride. “It is intended to recall the way rides were retro-fit into buildings re-purposed from the turn of the 20th century,” says Eagan, who has a background in cabinetmaking and architectural sculpture, while his collaborator Philomena Marano brought her expertise in cut paper collage and printmaking to the mixed media piece.

Fast Bumper is among the individual and collaborative Coney Island-inspired works in the exhibition “Art of the Coney Island Hysterical Society” opening on October 18 at 440 Gallery in Park Slope. No, we don’t mean Historical Society. Brooklyn-born artists Eagan and Marano have been collaborating since 1981 when they founded the Coney Island Hysterical Society because they were “Hysterical” at the rate that Coney’s amusement rides and attractions were shutting down. Joined by friends and fellow artists, the group took on such projects as the restoration and operation of a dark ride on the Bowery, an homage to souvenir cut out photo boards, and a 2,500 foot mural celebrating the lost glory of Steeplechase Park.

“In Fast Bumper, Richard and I poured in the rowdy and the elegant of Coney Island,” says Philomena, who describes the piece as “a fast and fun colliding joy ride housed inside an elegant Victorian building from Coney’s former life. It reflects our shared sensibilities in so many ways- one in particular is a childhood memory we both recalled of peering into the windows or back door of a closed ride and observing it in quiet darkness, a razor sharp contrast to the ride in motion; like seeing it’s ‘other side,’ the ‘hidden nature of it’s soul. I think this piece also makes reference to a Coney Island truth, sometimes it gleams from the inside and other times from the outside.”

“Art of the Coney Island Hysterical Society” runs through November 25 and will also feature special events at 4:40pm on Sundays in November. On November 4, Richard Eagan, who worked as the manager and outside talker for a shark show as well as a game and ride operator, will perform “Alive in the Inside,” his one-man play about his surreal journey through Coney Island. On November 18, Eagan and Marano will present an illustrated talk about the history of their work as the Coney Island Hysterical Society.

“Art of the Coney Island Hysterical Society,” October 18 – November 25, 2012 at 440 Gallery, 440 Sixth Avenue, Park Slope, 11215. Gallery hours are Thursday and Friday, 4-7pm, Saturday and Sunday, 11am-7pm or by appointment. Phone 718-499-3844.

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