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Archive for the ‘historic preservation’ Category

Boardwalk under construction

Walking on Boardwalk Under Construction, November 29, 1922. Photo by E.E. Rutter via NYC Dept of Records, Municipal Archives

This Sunday, May 15, is the 93rd anniversary of the official opening of Coney Island’s Riegelmann Boardwalk. Last week, Coney poet Michael Schwartz crooned a few lines from “Under the Boardwalk” and recited poetry as part of his testimony before the City Council’s Land Use Committee. He was among about 15 people who took time out from their work day to speak at City Hall in favor of Councilman Mark Treyger’s resolution that the Landmarks Preservation Commission designate the Boardwalk a scenic landmark.

The LPC had previously said no, but is now said to be reconsidering. You may want to phone, email or write letters of encouragement to Meenakshi Srinivasan, Commissioner of the Landmarks Preservation Commission. Contact information is here. Use the hashtag #LandmarkTheBoardwalk when you post on social media.

Schwartz’s eloquent testimony, printed in full below, begins with an excerpt of his poem, “The Under-Talker,” from a book-in-progress of poems, short stories and monologues set in Coney Island and called The Invisible Exhibitionist and other Attractions.

What will happen to us now that they took away under the boardwalk?
We won’t be falling in love
under the boardwalk…
boardwalk.
I heard that pushing the sand right up under the boards like that is what causes them to erode and crack.
I wish we could have our down by the sea on a blanket with my baby under the boardwalk back.
Did you hear that when they filled it in Homeless John the Under-Talker was buried alive?
Under the boardwalk.
Yesterday I tripped on a broken board and fell on my ear
and I swear while I was there
I could still hear him talk.
If you listen closely…
you can still hear him talk.

First they came for under the boardwalk… Then they came for the boardwalk. It started already. Part of the boardwalk’s already been paved over, even though that’s not what the people wanted. And in the middle of the night before it would have been landmarked, they bulldozed our beloved original Thunderbolt. And they came under darkness in the middle of the night and destroyed our beloved West 8th Street bridge to the boardwalk that protected us from traffic, because we didn’t have the power to protect it. If we don’t have the power to protect our world famous beloved boardwalk that connects neighborhoods, businesses, and people, one day we will wake up and it won’t be there, at least not as we know it. Where’s the boardwalk? Oh my God, it’s a sidewalk. Don’t we have enough sidewalks?

Boardwalk Not Sidewalk

Boardwalk Not Sidewalk/No Concrete. Sign on Building Facing Boardwalk East of Ocean Parkway in Brighton Beach. Photo © Bruce Handy

The historic beloved boardwalk is one of the last walkways in our world that is an oasis from the concrete that hardens our souls and hammers our joints. Also, concrete will not absorb water or heat the way wood does. In this apocalyptic time of hurricanes and floods, the walkway by the water is wood for practical as well as aesthetic reasons. Coney Island is called the people’s park because it’s different than those other sanitized corporatized parks. When Coney becomes corporatized, such as when the Republican nominee’s father Fred destroyed Steeplechase, they demolish more than just the people’s parks, they break the people’s hearts.

We’ve seen too many New York treasures wiped out by corporate greed, little by little turning the greatest city in the world into just another impersonal unaffordable clone of Anymall, USA. We lost the original Penn Station, the 8th wonder of the world, because it wasn’t landmarked. We saved Grand Central Station because it was landmarked. If we don’t landmark the boardwalk, we’ll lose it. We’ll lose ourselves.

© Michael Schwartz

Truck on Coney Island Boardwalk

The City’s routine use of trucks and cars on the Boardwalk causes wear and tear on the boards. The Parks Dept has started to build a 10-foot wide concrete ‘carriage lane’ in Brighton Beach. Photo © Anonymouse

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Coney Island Hysterical Society

Richard Eagan, Gene Manzione and Philomena Marano at the Spookhouse in Coney Island, 1984. Photo Courtesy of Coney Island Hysterical Society.

Wouldn’t it be cool to take over a derelict amusement ride and refurbish it as an art project? “Boardwalk Renaissance: How the Arts Saved Coney Island,” a new exhibit at City Lore, celebrates a time in the mid-1980’s when a group of young artists were able to do just that.

In 1981, Brooklyn artists Richard Eagan and Philomena Marano co-founded the Coney Island Hysterical Society because they were “Hysterical” at the rate that the amusement rides and attractions were shutting down. One of their projects was the transformation of the disused Dragon’s Cave ride on the Bowery into the Spookhouse, billed as “a ride through gallery in the dark – a unique blend of art and amusement.” Admission was $1.00-$1.50, which wasn’t bad considering a ride on the Cyclone cost two bucks back then.

Boardwalk Renaiisance

The art of Spookhouse at Boardwalk Renaissance, an exhibit at City Lore thru March 13, 2016. Photo © Tricia Vita

Artwork by Eagan and Marano, and scenic designs by Bill Stabile, as well as paintings by Marc Kehoe and photos by Hazel Hankin documenting the Spookhouse’s 1984-1986 run are on view at City Lore. According to a vintage poster, the ride featured works by 15 artists plus students of I.S. 291, and “Reconstruction and Revitalization” by a crew of eight. Ten artists were invited to paint each of the original 1940’s Messmore & Damon cars. Among them was Nancy Prusinowski, who reminisced with ATZ about shunning a spooky theme in lieu of a pastoral scene similar to that on a carousel chariot. The eye-catcher was a Cupid holding a Nathan’s hot dog, a hat tip to Nathan’s, which owned the building and was across the way.

It’s remarkable that folks without amusement biz chops were able to preserve and operate an old Coney dark ride, even for a few years. It could not be done today. After Astroland closed in 2008, some friends were actually talking about how we could bring back Dante’s Inferno. Of course it was not feasible.

Marc Kehoe Coney Island Hysterical Society

Marc Kehoe painting ‘It’s Spooky’ mural on exterior wall of the Spookhouse, 1985. Photo courtesy of Coney Island Hysterical Society

“Those were very different times,” says Philomena Marano in an e-mail. “All the right ingredients magically fell into place: Coney Island was abandoned, Sporty Kaufman wanted out of his Dragon’s Cave Ride, we were rowdy, creative and had a vision and Nathan’s Ken Handwerker was keen on launching a revitalization. I must say that all of the time we were working on Spookhouse I was strangely aware that something like this could never happen again. In the canons of weird and bizarre ‘Projects & goals,’ it’s surely at the top.”

In a fantastic example of synchronicity, the Spookhouse also featured set pieces designed by Bill Stabile for Harvey Fierstein’s Off-Broadway play Spookhouse, which were nominated for a Drama Desk Award for Outstanding Set Design in 1984. Fierstein is a childhood friend of Marano, and when the play closed the pieces were donated to Coney’s Spookhouse. When the ride closed due to rising insurance costs, the Skull and the Devil were acquired by Deno’s Wonder Wheel Park and became part of Spook-A-Rama’s stable of props from defunct dark rides.

Spookhouse Bill Stabile

Scenic Designs by Bill Stabile for Harvey Fierstein’s Spookhouse on exhibit at City Lore.

Thirty years later, all that remains of the Spookhouse are two signs and two cars in private collections, and Stabile’s car, which can be seen in the exhibition, along with a replica of his Giant Skull in park paint, the original of which is on display at the Coney Island History Project as “Skully.”

“We’re happy knowing that a few items survived,” says Marano. “And although they are owned by others we maintain a strong attachment to them. Like they are still ours.”

“Boardwalk Renaissance” also spotlights Coney’s house under the Thunderbolt roller coaster, the World in Wax Musee, shooting galleries, and the early days of Coney Island USA including the first Mermaid Parade.

“Boardwalk Renaissance: How the Arts Saved Coney Island,” City Lore Gallery, 56 East 1st Street, NYC 10003. Exhibit runs through March 13, 2016. Gallery open Wed – Fri, 2pm – 6pm and Sat – Sun, 12pm – 6pm. Closed November 26-29. Free admission.

Boardwalk Renaissance

Boardwalk Renaissance, an exhibit at City Lore. November 7, 2015. Photo © Tricia Vita

Related posts on ATZ...

March 13, 2013: Coney Island 2013: New Ghouls Mingle with Old in Rebuilt Spook-A-Rama

November 21, 2012: Coney Island Post-Sandy: Flooded Spook-A-Rama to Get New Stunts

October 26, 2010: Studio Visit: Richard Eagan of the Coney Island Hysterical Society

October 26, 2010: Studio Visit: Philomena Marano of the Coney Island Hysterical Society

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Shore Theater

Coney Island’s Shore Theater in the days after Hurricane Sandy. November 5, 2012. Photo © Tricia Vita

Can the Shore Theater, vacant for 40 years and designated a New York City landmark in 2010, be saved? On Monday, a group of people armed with bolt cutters cut the locks on a side door and went inside to find out. Sources on the scene told ATZ that one member of the group claimed they plan to buy and rehab the property as a hotel, restaurant and retail and need to find out if it is salvageable or beyond repair. Accompanying them was Kelly Floropoulos of Amiantos Environmental, whose firm does environmental site assessments. Reached by phone, Ms. Floropoulos told ATZ, “I can’t disclose any information. We’re still in the preliminary stages of assessment. It will take a few weeks.”

Shore Theater

Homeless encampment under the sidewalk shed at the Shore Theater. July 30, 2015. Photo © Tricia Vita

When the building was about to win landmark designation in 2010, we wrote “March 23: Rescuing Coney Island’s Shore Theater from 35 Years of Neglect” (March 8, 2010). However, five more years of neglect have followed. A sampling of complaints to the DOB since then has included homeless encampment residing on a regular basis on the sidewalk shed and inside the building accessing by a ladder, safety concerns for the homeless as well as the public, windows unboarded, doors ripped, scaffold area is dark and unmaintained, falling debris.

The mystery buyer said he was one of the owners of the lot on the north side of Surf across from the Cyclone. A phone call to PYE Properties, which has a sign up advertising Coming Soon Retail Stores for Rent on the undeveloped lot, yielded no additional info. “I don’t know what you’re referring to,” said a spokeswoman. “Call back in a month.”

Shore Theater

Shore Theater. June 13, 2013. Photo © Tricia Vita

Related posts on ATZ…

September 29, 2015: Will 1938 Art Moderne Gem Become Coney Island’s Only Landmark Outside of Amusement Area?

May 4, 2015: Boardwalk Bunco: Milan Expo’s USA Pavilion Has Boardwalk from Coney Island, Brooklyn to Get Plastic & Concrete

March 11, 2015: In Coney Island, Two Stores and One NYC Landmark Mark 95th Year

November 18, 2014: ATZ’s Guide to Coney Island’s Honorary Walks and Places

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